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Jarik is batik cloth
which has various motives. Long time ago, nyamping or jarik that
was used was usually in the form of painted batik, but this time
it seems that printed batik is often used as well.
The use of batik motive, in fact has some differences between old
time and present time. In the old time, there were some strict rules
about batik motives that could be worn by someone.
The determination was based
on:
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a. The royal descent |
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b. The position |
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c. The opportunity |
But
at this time, the determination hasn’t been known anymore, so
there is a freedom in using the batik motives. The determination based
on the three things above will be discussed one by one, yet in one
meaning, that the term was valid in the old time or if it is for the
present time, it is only valid in certain places only. |
It
is meant for the staffs and assistants who are employed by the king,
for example: the Vice King (Patih), Tumenggung, Mantri, Regent (Bupati),
Panewu, etc. They can wear the same batik motives with his relatives. |
| It is meant to be some certain
ceremonies or meeting, like: |
| 1. To attend a wedding
ceremony; |
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Semen
Romo |
Babon
Angrem |
Ceplok
Mendut |
Abimayu |
Kladuk
Manis |
Buntal
Wayang |
| 2. For
brides’ parents in the wedding ceremony; |
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Sidodrajat |
Wirasat |
Truntum
Delimo |
Truntum
Pintu Retno |
| 3. For
the brides’ parents in Siraman ceremony (Bathing the brides); |
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Nitik |
Nogosari |
Grompol |
Cakar |
| 4. For
the bride and bridegroom in the wedding ceremony; |
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Sidomukti |
Sidoasih |
Sido
Luhur |
Sidomulyo |
| 5. To
the funeral ceremony, the motives used are with black background. |
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Cuwiri |
Gabah
Sinawur |
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6. For those
who wear traditional dress daily.
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·
Tambal Sewu,
· Kepet, dan juga beberapa motif semen.
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7. For “patutan”
ceremony (7 months pregnancy),
· Sidoasih
· Sido luhur
· Sido mulyo
· Sido mukti
· Semen room
· Semen Gurdo
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8. For those
who become his servants, when coming to the king, use the same with
wedding ceremony.
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Drs.
Hamzuri, Batik Klasik , penerbit Djambatan, Jakarta
1981.
G.P. Rouffear
En H.H. Juynboll, DE BATIKKUNST, Th.1914
J. E. Jasper
en Mas Pirngadie, INLANDSCHE KUNSTNIJVERHEID
IN NEDERLANDSCH INDI, Gravenhage Door De Boek? &
Kunstdrukkerij, Mouton & Co.? 1916.
Rijksblad
van Djokjakarta No 19. th 1927
TJOKROSUHARTO.
Koleksi Pola Motif Batik,
Tim
Pengabdian pada Masyarakat Jurusan Sastra Daerah
Fakultas Sastra Universitas Gadjah Mada, Pakaian
Adat Jawa Gaya Yogyakarta, 1995
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