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BATIK

 

 

V. THE USE OF BATIK CLOTH

 

Jarik is batik cloth which has various motives. Long time ago, nyamping or jarik that was used was usually in the form of painted batik, but this time it seems that printed batik is often used as well.
The use of batik motive, in fact has some differences between old time and present time. In the old time, there were some strict rules about batik motives that could be worn by someone.
The determination was based on:

  a. The royal descent
  b. The position
  c. The opportunity
But at this time, the determination hasn’t been known anymore, so there is a freedom in using the batik motives. The determination based on the three things above will be discussed one by one, yet in one meaning, that the term was valid in the old time or if it is for the present time, it is only valid in certain places only.
A. The Use of Batik Based on the Royal Descent

There are some certain motives which are only allowed to be worn by the royalty, especially the King, his family and relatives only, for instance: his children, his grandchildren, his brothers and sisters, and his assistants. The motives are for instance: parang motives (it has been mentioned previously).

Parang Klithik Parang Rusak Parang Gendreh Parang Barong Parang Kusumo
Parang Kesit
Parang Baris Parang Centhung Parang Gondosuli Parang Pamor Parang Pari Parang Ukel
and etc
B. The Use of Batik Based on the Position
It is meant for the staffs and assistants who are employed by the king, for example: the Vice King (Patih), Tumenggung, Mantri, Regent (Bupati), Panewu, etc. They can wear the same batik motives with his relatives.
C. The Use of Batik Based on the Opportunity
It is meant to be some certain ceremonies or meeting, like:
1. To attend a wedding ceremony;
Semen Romo
Babon Angrem
Ceplok Mendut
Abimayu
Kladuk Manis
Buntal Wayang
2. For brides’ parents in the wedding ceremony;
Sidodrajat
Wirasat
Truntum Delimo
Truntum Pintu Retno
3. For the brides’ parents in Siraman ceremony (Bathing the brides);
Nitik
Nogosari
Grompol
Cakar
4. For the bride and bridegroom in the wedding ceremony;
Sidomukti
Sidoasih
Sido Luhur
Sidomulyo
5. To the funeral ceremony, the motives used are with black background.
   
Cuwiri
Gabah Sinawur
   
6. For those who wear traditional dress daily.
· Tambal Sewu,
· Kepet, dan juga beberapa motif semen.

7. For “patutan” ceremony (7 months pregnancy),
· Sidoasih
· Sido luhur
· Sido mulyo
· Sido mukti
· Semen room
· Semen Gurdo

8. For those who become his servants, when coming to the king, use the same with wedding ceremony.

 
DAFTAR PUSTAKA


Drs. Hamzuri, Batik Klasik , penerbit Djambatan, Jakarta 1981.

G.P. Rouffear En H.H. Juynboll, DE BATIKKUNST, Th.1914

J. E. Jasper en Mas Pirngadie, INLANDSCHE KUNSTNIJVERHEID
IN NEDERLANDSCH INDI, Gravenhage Door De Boek? & Kunstdrukkerij, Mouton & Co.? 1916.

Rijksblad van Djokjakarta No 19. th 1927

TJOKROSUHARTO. Koleksi Pola Motif Batik,

Tim Pengabdian pada Masyarakat Jurusan Sastra Daerah Fakultas Sastra Universitas Gadjah Mada, Pakaian Adat Jawa Gaya Yogyakarta, 1995

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